Last Supper Tickets Milan Official Site

Leonardo da Vinci painted The Last Supper directly onto the refectory wall of Santa Maria delle Grazie between 1495 and 1498, using an experimental dry-plaster technique that began deteriorating within two decades of completion. Today the mural survives under climate-controlled conditions inside a sealed chamber that admits only 25 visitors every 15 minutes, a constraint that has governed the ticketing model since the restoration completed in 1999. The last supper tickets milan official site functions as a timed-entry reservation platform rather than a traditional box office. Each ticket specifies an exact entry window—09:30, 11:15, 14:45—and the refectory door closes precisely on schedule. Visitors who arrive even five minutes late are turned away without recourse, a policy enforced to protect the environmental stability that prevents further pigment loss. The 15 EUR standard tariff includes both admission and the reservation fee; no separate booking charge appears at checkout. Free entry exists only for documented residents of Lombardy under 18 and for holders of specific disability cards recognized under Italian law, but even free tickets require advance reservation through the same portal. Booking windows open roughly 90 days before the visit date, though the museum does not publish a fixed release calendar. High-demand periods—Easter week, summer weekends, December holiday season—see availability evaporate within 48 hours of release. The Santa Maria delle Grazie refectory sits in the Corso Magenta district, a ten-minute walk west of the Cadorna railway hub and accessible via tram line 16. Cenacolo Vinciano operates as the legal name of the museum; third-party resellers often appear in search results above the official portal, typically charging double or triple the standard rate in exchange for bundled audio guides or group-tour packages the solo visitor does not need. The viewing experience lasts exactly 15 minutes from chamber entry to exit, a duration determined by conservation engineers rather than curatorial preference. No photography is permitted inside the refectory, and bags larger than a standard daypack must be checked at the entrance. The mural occupies the north wall of the former Dominican dining hall, positioned 4.6 meters above floor level and spanning 8.8 meters in width. Visitors stand behind a roped threshold approximately six meters from the painted surface; no closer approach is allowed.